-
Ninja V Thin 5” 4K HDMI Recording Monitor
-
1 x Battery Eliminator
-
1 x International DC power supply
-
1 x MasterCaddy II
-
QuickStart Guide
-
Limited 1-Year Warranty (Extendable to 3-Years)
Description
Record like a Ninja!
Eliminate your camera’s internal compression and time limits – record up to 4Kp60 10-bit HDR video direct from your camera's sensor over HDMI 2.0. Teamed with a 1TB AtomX SSDmini you can now achieve up to 150 minutes of 4K recording on a single drive! And when you’re done, your edit-ready ProRes and DNxHR recordings are stored on affordable SSD drives.
HDR/SDR perfection
The Ninja V displays 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. See your images clearly in daylight on the near edge-to-edge anti-reflection screen. Ninja V can be calibrated for perfect color accuracy every time, and also enables playout to HDR or SDR TV.
Compact Monitor Recorder made perfect
The new Ninja V features a stunningly bright 5.2” 10-bit HDR monitor with an astounding 1000 nits of output. The sleek aluminum body is crafted for maximum durability, weighing in at just 360g and measuring only 25mm thick – easily attaching to any camera rig.
Pocket size playback
AtomOS allows accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't complete until checked; Ninja V allows instant playback, slow motion and frame-by-frame analysis for immediate review.
Record 4K HDR Gaming
Ninja V is a stand-alone system for 4k UHD, HDR and high frame rate capture that eliminates expensive, complicated and unreliable PC setups. Ninja V enables simple recording, monitoring and instant review. Capture every detail in HDR and automatically include all the correct HDR flags ready for upload to YouTube. Ideal for games development testing, pre-release capture sessions or just to show off your skills!
Edit, finish & upload
Ninja V files are available immediately on your Mac or PC. Tag on-the-fly while recording for direct-to-edit look up in Final Cut Pro X, Adobe Premiere and Avid Media Composer. Both video and gaming workflows are supported for the fastest path to your audience.
SSD made Mini
We have worked closely with our drive partners at Angelbird and Sony to bring you the AtomX SSDmini. These tiny drives are only 7mm high and 80mm long. They retain the same SATA III connector as traditional SSDs and they are backward compatible with our range of Ninja, Shogun and Sumo devices.
Endless Open Expansion
Modularity is at the heart of the Ninja V with a bi-directional high speed expansion port breaking out connectivity for I/O of video, audio and power. Atomos created AtomX to ensure users could adapt and connect to any legacy or future wireless or wired video standard. The expansion system offers endless scalability.
Looks good, sounds great!
Like all Atomos Monitor/Recorders, Ninja V enables audio input directly from your camera. Choose from digital source via HDMI, or analogue input via the stereo 3.5mm line/mic socket, depending on your rig.
Physical Specifications | |
---|---|
Dimensions (W x H x D) | 5.94 x 3.6 x 1.22" / 151 x 91.5 x 31mm |
Weight | 360g / 12.7oz |
Mount points | 1 x Anti rotation 1/4"-20 + 3/8 top and bottom |
Environmental | |
---|---|
Ambient operating temperature | Up to 40° C |
Construction and Control | |
---|---|
Body | Aluminum & ABS plastic |
Cooling | Actively controlled fan and heat sink |
Tally light | Rear and front |
Multi-function button | Power / lock Screen |
AtomXpansion slot | Yes |
Power | |
---|---|
Input voltage | 6.2V - 16.8V |
Operating power | 5.8V - 7.2W |
Compatible batteries | NPF L series |
Built in battery | No |
Battery Run time (Record) | 5200mAh - up to 2hrs (monitor & record 4K 60p)7800mAh - up to 3hrs (monitor & record 4K 60p) |
Continuous power | Via Optional AtomX SYNC Module |
DC in connector | Via DC Jack on Battery Eliminator |
Dtap | Via Battery Eliminator and optional D-Tap to DC cable |
Display | |
---|---|
Touchscreen | SuperAtom IPS panel (capacitive touch) |
Size | 5.2" |
Resolution | 1920 x 1080 |
PPI | 427 |
Bit depth | 10Bit (8+2 FRC) |
Backlight Type | Edge lit |
Brightness (cdm2 / nits) | 1000 |
Aspect ratio | 16:9 |
Color Gamut | Rec.709 |
Calibration support | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
Color Pipeline | |
---|---|
Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilmFlog, PQ (HDR10), HLG, Nikon N-Log |
Gamut | BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 /RedColor3 / RedColor4 / RedWideGamut |
3D LUT Display | .Cube Format |
3D LUT Down Stream | Loop out |
3DLUT 50/50 | Yes |
Monitoring Modes | Native / HLG / PQ / 3D LUT |
HDR output Conversion | Log / HDR to HLG / PQ / Dolby Vision |
Video Input | |
---|---|
HDMI | 1 x HDMI (2.0) 4K p60 |
HDMI RAW | Apples ProRes RAW up to 6K |
SDI | Optional via AtomX SDI module |
SDI RAW | Optional with AtomX SDI + SDI RAW activation |
Bit Depth | 8/10-bit Video / RAW up to 12-bit |
Video Chroma Subsampling | 4:2:2 |
HDCP copy protection | Not supported |
Metadata | |
---|---|
HDMI | RAW - white balance, exposure index, shutter speed/angle, iris F stop, ISO, gamma, gamut |
SDI | File name from Arri, RED |
Video Output | |
---|---|
HDMI | 1 x HDMI (2.0) 4k p60 |
SDI loop out | Optional Via AtomX SDI module |
SDI Play out | Optional Via AtomX SDI module |
Video Chroma Subsampling | 4:2:2 |
Bit Depth | 10-bit Video / 12-bit RAW |
Web Streaming | |
---|---|
USB UVC | Optional via Connect 4k, AtomX Cast |
Video Signal Conversion | |
---|---|
HDMI to SDI | Optional Via AtomX SDI module |
SDI to HDMI | Optional Via AtomX SDI module |
Audio In/Out | |
---|---|
Audio Quality | 24-bit 48kHz |
Audio Codec | PCM |
HDMI | 8ch 24-bit, input dependent |
SDI | 12ch 24-bit, input dependent |
Analogue Audio in | 3.5mm 2ch. |
Headphone out | 3.5mm 2ch. |
Timecode / Sync | |
---|---|
Embedded | HDMI and SDI |
Time of day | Yes, Time and Date |
LTC | via 3.5mm audio Jack input (requires post processing) |
Wireless SYNC | Via Optional AtomX SYNC Module |
Resolution and Frame Rates (Record, Monitor & Playback) | |
---|---|
6k | RAW Only up to 30p via HDMI |
4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
2K DCI 2046 x 1080 | Optional via AtomX SDI module |
Anamorphic | 3.5k: RAW up to 60p (from supported cameras only) |
FHD 1920 x 1080 Progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
FHD 1920 x 1080 PsF | converted to P and looped out PsF |
FHD 1920 x 1080 Interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
1280 x 720p | 50/59.94/60p |
Recording CODEC | |
---|---|
Apple ProRes RAW | ProRes RAW & RAW HQ |
Apple ProRes | LT, 422, 422HQ |
Avid DNxHD | 220x, 220, 145, 36 |
Avid DNxHR | LB, SQ, HQ, HQX |
H.265 | Optional activation. For more info visit my.atomos.com |
Playback | |
---|---|
Playlist | Yes, create playlists from full or sub clips |
Loop | Yes, with user customizable in / out markers |
Apple ProRes Raw | Yes, recorded clips |
Apple ProRes | Yes, with Linear PCM audio |
Avid DNx | Yes, with Linear PCM audio |
Recording functions | |
---|---|
Pre-roll record | Yes (HD 8s, 4K 2s) - Not available in RAW |
Timelapse | Yes |
Multi Input / Switching | |
---|---|
SDI A/B toggle | via optional AtomX SDI module |
Supported media | |
---|---|
SSDmini | Native size and fit |
CFast II | Supported cards via optional AtomX CFast Adapter |
File Naming | Unit Name - Scene/Shot/Take |
File System | ExFAT |
On screen tools | |
---|---|
Waveform | Yes, 3 size / position |
RGB parade | Yes, 3 size / position |
Vector scope | Yes, 2 size / position |
1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
2 x Zoom | Yes |
Focus peaking | Colour selected / threshold setting / color / mono / edges only |
False colour | Yes, with scale |
Zebra | Yes, adjustable |
Isolate color channel | Blue Only |
Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Social Frame guides | 9:16, 1:1, 1.91:1, 4:5 |
Safe areas | Action and Graphic |
Grid markers | 9 grid |
Anamorphic desqueeze | 1.25x 1.33x , 1.5x ,1.8x ,2x |
Display Flip | Vertical Only |
Onboard Signal Processing | |
---|---|
Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown) |
4K UHD Downscale for HD | Loop out - 4K UHD to FHD |
DCI Crop | Loop out - 17:9 to 16:9 Crop |
Remote control | |
---|---|
HDMI | Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard |
SDI | SDI trigger camera selectable |
Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
Bluetooth LE | via optional AtomX SYNC module |
Wireless RF | via optional AtomX SYNC module |
External Device Control | |
---|---|
Serial 2.5mm Jack | Camera control for supported cameras via Optional USB to Serial Cable |
Bluetooth LE | via optional AtomX SYNC module to compatible devices |
Wireless RF | via optional AtomX SYNC module to compatible devices |
Supported Applications | |
---|---|
XML | Cut tag EDL in FCPX XML |
Apple ProRes RAW | Apple FCP, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light. |
Video Codecs | All Applications with support for Apple ProRes and Avid DNX in .MOV wrapper |