- 32-bit float recording technology
- 8-channel/10-track field audio recorder/mixer
- 2.4" full-color backlit LCD with monochromatic mode
- Zoom AutoMix™ software
- Use as an 8-in/4-out USB audio interface
- Records in BWF-compliant WAV format up to 192kHz/32-bit float
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F8N PRO 8-Input / 10-Track Multitrack Field Recorder
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Zoom AD-19 12V AC adapter
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Limited 1-Year Warranty
Zoom F6 6-Input / 14-Track Multi Track Field Recorder
Zoom PodTrak P8 Portable Multitrack Podcast Recorder
Zoom H5 Handy Recorder
Zoom F2-BT Lapel Recorder
Zoom F1-LP Field Recorder + Lavalier Mic
Hosa Neutrik Microphone Cable 3.5mm TRS to Neutrik XLR3M 25'
Hosa Neutrik XLR Male to Female 1.5' Cable
Description
ZOOM’S NEW FLAGSHIP FIELD RECORDER
Filmmakers and sound professionals know the importance of sharp, clean audio in storytelling. From the click of a seatbelt to the roar of an engine, the F8n Pro’s 8 inputs capture full dynamic range using 32-bit float technology.
CREATE IMMERSIVE AUDIO
With 8 inputs and 10 tracks, the F8n Pro can capture the most complex audio, expanding your options so that you can create sonic magic in post.
EXPLOSIVE AUDIO
32-Bit Float is a game-changer. The F8n Pro uses dual A/D converters and professional-grade preamps to capture clip-free audio – without ever needing to adjust gain!
MULTIPLE FEEDS
The F8n Pro has three outputs for external devices, headphones, and camera connections. You can keep tabs on your tracks pre or post-fader, check levels, route signals to the left or right and set alert tones for battery and recording status.
WE STACKED THE DECK WITH PROFESSIONAL FEATURES
Formatting Options
The F8n Pro records in BWF-compatible WAV formats up to 32-bit resolution and at sample rates up to 192 kHz.
Built-in Processing
The F8n Pro features flexible signal routing from all inputs to all outputs, phase inversion and mid-side decoding. It also provides high-pass filtering to reduce the sound of wind and other noise. Input and output delays are also available.
State-of-the-Art Timecode
Keep your tracks perfectly synced even when you power down. On or off, the F8n Pro’s Temperature Compensated Crystal Oscillator (TCXO) generates time code at 0.2 ppm accuracy.
Stay Focused With Zoom Automix™
Zoom AutoMix lets you keep your eyes on the action by automatically adjusting the levels of your mix to reduce ambient sound.
Full Metadata Entry
The track name, scene names, notes, and more can be entered directly from the unit or via the Zoom F8 Control App for iOS / Android.
SIX SECONDS OF AUDIO
The pre-record function allows you to capture up to 6 seconds of audio before you hit the RECORD button, guaranteeing you never miss a take.
RECORD AND STREAM TOGETHER
When connected to your computer, the F8n Pro can be used as a 8-in / 4-out audio interface. Record and stream in 32-bit float / 96kHz while simultaneously recording to SD cards.
GO MOBILE
The F8 Control App (for iOS / for Android) lets you visually monitor signals, adjust levels, trigger transport controls, enter metadata and more from your Android device, iPhone or iPad via Bluetooth.
POWER UP
The F8n Pro is well-equipped for long location shoots or remote fieldwork, with a variety of power options and massive storage.
Onboard Power
Use eight AA alkaline batteries for 5 hours of power or plug in the included AD-19 AC adapter.
Alternate Power
External 9-18 volt DC battery packs can be used with a 4-pin Hirose connector.
Dual Memory
Record simultaneously on two SD cards, up to 1TB each, allowing for redundant recording.
| General | |
|---|---|
| Number of Tracks | WAV: 10 (8 Inputs + Stereo Mix) MP3: 2 |
| Maximum Sampling Rate | 192 kHz / 32-Bit |
| Microphone | Built-In Slate Mic |
| Built-In Speaker | No |
| Number of Microphone Preamps | 8 Preamps |
| Display | 2.4" / 6.1 cm Color LCD (Backlit) |
| Memory Card Support | SDHC (4 GB to 32 GB) SDXC (64 GB to 1 TB) |
| Internal Storage | None |
| Power Consumption | 10 W |
| Special Features | Pre-Record Buffer, Remote Control Capable, Slate Function (Remote Available Separately) |
| Weight | 2.6 lb / 1.2 kg (with Batteries) |
| External Dimensions (W x D x H) | 7 x 5.5 x 2.1" / 178.2 x 140.3 x 54.3 mm |
| Mounting Options | 1/4"-20 Female (Bottom) |
| Recording | |
|---|---|
| Audio File Formats | BWF, ID3v1, MP3, WAV, iXML |
| Sample Rates | WAV: 44.1 / 47.952 / 48 / 48.048 / 88.2 / 96 / 192 kHz MP3: 44.1 / 48 kHz |
| Bit Depth | 16 / 24 / 32-Bit |
| Bit Rates | 128 to 320 kb/s |
| Signal Processing & FX | Delay, Limiter, Low-Cut Filter |
| Timecode Support | Yes |
| Frame Rates Supported | 23.976 / 24 / 25 / 29.97 / 29.97 DF / 30 / 30 DF |
| Clock Accuracy | ±0.2 ppm (Timecode) / 0.5 Frame per 24 Hrs |
| Recording Time | WAV 48 kHz/24-Bit: 43.4 Mins per GB (Stereo) WAV 192 kHz/24-Bit: 10.9 Mins per GB (Stereo) |
| Connectivity | |
|---|---|
| Analog I/O | 8 x XLR 3-Pin Female Balanced Line/Mic Input (Lockable) 1 x Proprietary 10-Pin Mic Capsule Input 2 x TA3 3-Pin Male Balanced Line Output 1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output 1 x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output |
| Digital I/O | 1 x BNC Timecode In 1 x BNC Timecode Out |
| Phantom Power | +24 / 48 V |
| Phantom Power Current | ≤ 10 mA per Channel |
| Host Connection | 1 x Mini-USB (USB 2.0) |
| Audio Interface Capability | Multi-Track |
| Gain/Trim Range | Mic Inputs: +10 to +75 dB Line Inputs: -10 dB to +55 dB |
| Max Input Level | Mic Inputs: +4 dBu (Limiter On, at 0 dBFS) Line Inputs: +24 dBu (at 0 dBFS) |
| Max Output Level | Outputs: +24 dBV Aux Outputs: +10 dBV |
| Headphone Output Power | 100 mW per Channel into 32 Ohms |
| Dynamic Range | A/D Converters: 113 dBA D/A Converters: 105 dBA |
| Impedance | Mic Inputs: ≥3 Kilohms Line Inputs: ≥5 Kilohms Balanced Outputs: ≤150 Ohms Aux Outputs: ≤100 Ohms Headphone Outputs: ≤18 Ohms BNC Input: 4.6 Kilohms BNC Output: ≤50 Ohms |
| EIN | ≤-127 dBu (A-Weighted) |
| RECORDING TIME | |
|---|---|
| Using a 32 GB Card | 23:08:00 (48 kHz/32-bit stereo WAV) 5:47:00 (192 kHz/32-bit stereo WAV) |
| TIMECODE | |
|---|---|
| Connectors | BNC |
| Modes | Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to timecode) |
| Frame Rates | 23.976 ND, 24 ND, 25 ND, 29.97 ND, 29.97 D, 30 ND, 30 D |
| Precision | ±0.2 ppm |
| Allowed Input Level | 0.2 – 5.0 Vpp |
| Allowed Input Impedance | 4.6 kΩ |
| Output Level | 3.3 Vpp |
| Output Impedance | 50 Ω or less |
| Power | |
|---|---|
| Options | Battery or AC/DC Power Adapter |
| Approximate Battery Life | 48 kHz/32-Bit: 6 Hours (Alkaline, 2 Channels, Phantom Off, Recording, with Headphones) 8.5 Hours (NiMH, 2 Channels, Phantom Off, Recording, with Headphones) 12 Hours (Lithium, 2 Channels, Phantom Off, Recording, with Headphones) 48 kHz/32-Bit: 5 Hours (Alkaline, All Channels, Phantom Off, Recording, with Headphones) 7 Hours (NiMH, All Channels, Phantom Off, Recording, with Headphones) 10 Hours (Lithium, All Channels, Phantom Off, Recording, with Headphones) 192 kHz/32-Bit: 0.5 Hours (Alkaline, All Channels, Phantom On, Recording, with Headphones) 1.5 Hours (NiMH, All Channels, Phantom On, Recording, with Headphones) 2.5 Hours (Lithium, All Channels, Phantom On, Recording, with Headphones) |